Listen to the personal voice log of Dr. William Oswald, chief medical officer at the MMDI Baja Clavius lunar base. Running time is less than a minute and a half. Click to play:

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Baja Clavius is a queer science fiction adventure about a time travel agency codenamed Moon Men Deep Inside (MMDI) where men dominate other men sexually.

Similar in storytelling style and tone to the works of Russell T Davies (Cucumber and Banana, Doctor Who and Torchwood on the BBC), and, to the works of author Christopher Trevor, Baja Clavius is for gay adult men. Here you will experience radically different storytelling that differs from standard cause-and-effect fiction.

This original work is by storyteller and artist Madeira Desouza of Las Vegas. First appearance online was in February 2012.

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The 2017 publication of Baja Clavius online is new—completely updated and expanded compared to previous versions. Now includes storytelling and hundreds of original images that were not available anywhere.

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Niche queer fetish escapades collide with clandestine cowboy missions from the moon in BAJA CLAVIUS

BAJA CLAVIUS is more than out of this world – it evades comparison. Our protagonist Ted Avila is a former military man commissioned to become a top-secret time travel agent on a lunar base nicknamed “Moon Men Deep Inside” located beneath the crater Clavius. His mission is to repair timelines in the past to save humanity by employing his insatiable carnal appetite and penchant for domination.

Along the way, the incredibly virile Ted becomes sexually involved with many buff, muscle-bound men on Earth, all in conflicting timelines. Vincent Wauneka – Ted’s oft-partner in both vocation and lust – is typically along for the very bumpy and murderous ride. But it’s not all as easy for Ted as simply following his lascivious instincts. He can remember multiple timelines even after changing them, creating a psychic cacophony peppered with perceived memory loss, flashbacks, experiential repetition, and a colorful array of cognitive dissonance.

And there’s a lot more going on: Wild West execution-style hangings, kinky voyeurism, international drug trafficking, telepathic erotic mind control, alien meddling in DNA and more. This can make for sometimes confusing leaps in plot, time, and sequences of action, perhaps as a nod to the protagonist’s bouts of amnesia. However, for the reader it can make for a baffling, groundless context.

Author Madeira Desouza created the most recent edition of BAJA CLAVIUS thanks to robust reader feedback and crowdsourcing. This seems to lead to a bit of stylistic and formatting disorientation in the story. It might also account for the series of copyediting errors throughout.

Where BAJA CLAVIUS shines is in its description of the natural world, invoking the Southwest postcard nostalgia of jagged rocks, the neon lights of garish casinos, lonely highways, and the bleak, unforgiving desert. Desouza also offers esoteric and compelling scenes of action. Indeed, the story insists that, like the characters, the reader reluctantly disrupt any expectations of space and time. This makes for a worthwhile examination of action and consequence.

It’s important to note BAJA CLAVIUS espouses the bara genre, a Japanese underground art form known for sex among adult men. Still, even outside of this community, the rugged, rough-hewn intensity of Desouza’s work bears merit. Niche queer fetish escapades collide with clandestine cowboy missions from the moon in BAJA CLAVIUS. While this oftentimes violent and sprawling sci-fi thriller is not for everyone, it offers compelling imagery and curious insights into a boundless universe.

[ review of early 2017 version, not the corrected version now available]


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Rare Diversity without Cultural Stereotypes

Baja Clavius is queer science fiction with an unusually strong diversity minus stereotyping. Major gay male characters are masculine gay men African American, Arabic, Asian, Latino, and Native American Indian. These characters are the exact opposite of insulting cultural stereotypes of gay men who have been depicted as flamboyant or effeminate. The character images, names, and descriptions from left to right are:

  1. Ted Avila (time travel agent), whose surname is found in French, Latino, and Portuguese people.
  2. Back row, Dani Zaman (time travel agent) born to American parents in the State of Qatar; his first name in Arabic means near or close; his surname in Arabic means time or age or era.
  3. Middle row, Markus Tagawa (director of time travel operations), Japanese American.
  4. Back row, Nicholas Cruz, Mexican American born in Arizona.
  5. Front row, Marvin Mainer (director of time travel operations), African American.
  6. Back row, Anthony Marugo (time travel agent), Japanese American.
  7. Front row: Vincent Wauneka (time travel agent), Native American Indian born in the Navajo Nation.


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Here is How High The Moon — theme song for Baja Clavius:

The content here is restricted to adults of legal age due to explicit, uncensored images and text depictions of homoerotic desire, masculine male characters, and behaviors of gay adult men.


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